Kubrick's Total Cinema

Kubrick's Total Cinema

Philosophical Themes and Formal Qualities

eBook - 2012
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Baker & Taylor
"Whatever people think about Kubrick's work, most would agree that there is something distinctive, even unique, about the films he made: a coolness, an intellectual clarity, a critical edginess, and finally an intractable ambiguity. In an attempt to isolate the Kubrick difference, this book treats Kubrick's films to a conceptual and formal analysis rather than a biographical and chronological survey. As Kubrick's cinema moves between the possibilities of human transcendence dramatized in 2001: A Space Odyssey and the dismal limitations of human nature exhibited in A Clockwork Orange, the filmmaker's style "de-realizes" cinematic realism while, paradoxically, achieving an unprecedented frankness of vision and documentary and technical richness. The resultis a kind of vertigo: the audience is made aware of both the de-realized and the realized nature of cinema. As opposed to the usual studies providing a summary and commentary of individual films, this will be the first to provide an analysis of the "elements" of Kubrick's total cinema."--Publisher's website.

NBN
An original study of Kubrick's philosophical themes and cinematic qualities: time, light, speech, music, poiesis, corporeality, war, eros, technology, and transcendence.

McMillan Palgrave

An original study of Kubrick's philosophical themes and cinematic qualities: time, light, speech, music, poiesis, corporeality, war, eros, technology, and transcendence.


Whatever people think about Kubrick's work, most would agree that there is something distinctive, even unique, about the films he made: a coolness, an intellectual clarity, a critical edginess, and finally an intractable ambiguity. In an attempt to isolate the Kubrick difference, this book treats Kubrick's films to a conceptual and formal analysis rather than a biographical and chronological survey.
As Kubrick's cinema moves between the possibilities of human transcendence dramatized in 2001: A Space Odyssey and the dismal limitations of human nature exhibited in A Clockwork Orange, the filmmaker's style "de-realizes" cinematic realism while, paradoxically, achieving an unprecedented frankness of vision and documentary and technical richness. The result is a kind of vertigo: the audience is made aware of both the de-realized and the realized nature of cinema. As opposed to the usual studies providing a summary and commentary of individual films, this will be the first to provide an analysis of the "elements" of Kubrick's total cinema.



Publisher: London ; New York : Continuum, ©2012
ISBN: 9781441156877
1441156879
9781441149565
1441149562
9781283735933
1283735938
Characteristics: 1 online resource (x, 201 pages)

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