Milton and the Perils of CreationeBook - 2013
That the writings of John Milton continue to provoke study and analysis centuries after his lifetime speaks no doubt to his literary greatness but also to the many ways in which his art both engaged and transcended the political and theological tensions of his age. In Dominion Undeserved, Eric B. Song offers a brilliant reading of Milton's major writings, finding in them a fundamental impasse that explains their creative power.
According to Song, a divided view of creation governs Milton's related systems of cosmology, theology, art, and history. For Milton, any coherent entity—a nation, a poem, or even the new world—must be carved out of and guarded against an original unruliness. Despite being sanctioned by God, however, this agonistic mode of creation proves ineffective because it continues to manifest internal rifts that it can never fully overcome. This dilemma is especially pronounced in Milton’s later writings, including Paradise Lost, where all forms of creativity must strive against the fact that chaos precedes order and that disruptive forces will continue to reemerge, seemingly without end.
Song explores the many ways in which Milton transforms an intractable problem into the grounds for incisive commentary and politically charged artistry. This argument brings into focus topics ranging from Milton’s recurring allusions to the Eastern Tartars, the way Milton engages with country house poetry and colonialist discourses in Paradise Lost, and the lasting relevance of Anglo-Irish affairs for his late writings. Song concludes with a new reading of Paradise Regained and Samson Agonistes in which he shows how Milton’s integration of conflicting elements forms the heart of his literary archive and confers urgency upon his message even as it reaches its future readers.
An exploration of the divided view of creation that governs Milton's related systems of cosmology, theology, art, and history.
British poet John Milton (1608-74) is known for presenting multiple perspectives, but Song (English literature, Swarthmore College) argues that coexisting perspectives are not mere equivalents. He describes how the force of Milton's artistry lies in turning genuine contradictions into the grounds of focused commentary and critique. By making strategic use of theological problems that remain genuinely intractable, he says, Milton avoids both indeterminacy and simplistic one-sidedness. Annotation ©2013 Book News, Inc., Portland, OR (booknews.com)